The only thing is more tense than the presence of chills before a special case is an external party that enhances this wave of anxiety ten times at risk of death. In the magnificent new Christoper Landon’s « Drop » which /Ryan Scott in the movie boasted like a slim, pleasant crowd in his reviewMegan Fahi plays a mother -only mother who gets into the first date from hell when he begins to receive a number of threatening Airdrop messages. If she does not follow the specific instructions of the mysterious figure to kill her date, her son will die, as well as anyone she tries to warn in this process.
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Landon makes a hump jump to a thriller with high tension here, creating here an exciting sense of paranoia when our protagonist fights with the terrible difficulty in which she appeared. You will see a lot of people who compare « drops » with « drop » « Red Eyes » Wes Craven And they are not mistaken. The last movie is fun when a minor game with a cat and a mouse in which Rachel Makadams threatens Kilian Murphy during flight with red eyes within a larger (and deadly) conspiracy. As for me, I would like to draw your attention to an exciting thriller 2013 with a similar prerequisite – the one you probably didn’t hear, but deserves to have any more eyes.
In « Grand Figure », Ilya Wood plays Tom Selznik, a concert pianist, imbued with anxiety when he is ready to return his long-awaited return to the stage. For five years earlier, Tom (chairman of the revered composer Patrick Gadura, played by Jack Taylor), was suffocating, trying to complete the last notes of his composition of his teacher « La Cinquette ». But the whole Chicago assembly hall came out to see Tom to honor her dead teacher with a musical return of the century.
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When the expectations weight was not heavy enough, Tom’s great night becomes much more difficult when he realizes that he is aimed at a sniper (John squash), which can see his every step. If he plays one wrong note rather than completed « La Cinquette », he will not only die, but also his wife, Emma (Carrie Bicha), who looks from the seat to the side, will also be killed. What to say, it makes Tom to develop an even more intense case of stage fright.
Grand Fortopypia-it’s Psychological Two-Dummy between Elijah Wood and John Kosak
« Is it not surprising, what can you go in the crowded theater when all eyes are on stage? » Asks Kasak’s antagonist.
The tree is the perfect actor that throws in the orchestra meat grinder. He is a flexible performer who can play anything A widely opened hobbit passes through the middle ground in the « Lord of Rings » For a cold-blooded serial killer in « Sin City », but his sensitivity creates a calm performance in the « big piano », which plays his strengths. It looks like an invisible spotlight phenomenally. We see that Tom is a friendly person who is very strong on the border long before discovering the red marker that changes the course of his night. This makes fear much more sensitive when we begin to see the signs of a much more sinister concert that will happen.
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The listener gives hearing correspondence from a large extent invisible killer of the squeak, who wants Tom to remain concentrated, but represents himself as a cat that simply cannot resist the game with his food. He talks with an alarming pianist with confidence who believes it can go much smoother than it seems. The Cusack has an explosion that plays a puppet masterWaiting for the possibilities to pull the tom lines to find out if they will.
The central player in the symphonic conflict is composer Victor Reyes, whose heart score emphasizes the sound tension, which goes through numerous verbal sparring sessions of the fishing rod and the squake. It even works without a physical threat, because it is manifested in the internal battle that you can see Tom, which leads with you. Concert highs and lows reflect the extraordinary pressure of music at the same time on the hook for their audience, wife, orchestral team and, most importantly, heritage.
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Grand Piano – This is a high stripped reef that has written Demien Chazel
It seems we got away from high conceptual thrillers that Use one place. « Grand Piano » is a great example of what is done correctly. The film is elegantly directed by the composer, directed by Eugene Miri, who writes great tension from the Chicago audience as the highest scene for terror. The shame that Mira did not lightly shoot a feature film; It brings a real old school color to the table, allowing the movie to bloom in the marriage of visual and auditory sharp sensations.
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« Grand -School » possesses the spirits of Alfred Hichkok and Brian de Palma, because the camera has as much fun as with the pianist of the fishing rod as the killer. I levitated when turning on a match that brilliantly connects, who receives the gap of the glass from the glass about the onion, which scatters the violin. Between the beads of sweat and wandering eyes, the camera feels that it captures the psychological distress on every inches of the face of the tree. The approaching threat of death is emphasized by the hell with the red background that he entertained.
One of the most attractive talents attached to the movie-« La La Land » and Director Babylon Demien ChazelWho wrote his scenario. There are times when the hardships play at a flawless concert act as a dry run for the musical intensity that Chazel will inevitably lead to « Whiplash ». Considered Chazel His visit to the « big piano » set An invaluable experience as a prosperous narrator, seeing how the camera movements were set up to the pre -layered music itself.
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In general, « Grand Piano » is a pulp that does not spend the second, squeezing you into chaos, and, 90 minutes, without making sure.
« Grand Piano » is now broadcast on Prime Video.
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